Showing posts with label products. Show all posts
Showing posts with label products. Show all posts

Heart Eyes Ita Tote Pattern

Wednesday, January 17, 2018

Since I started designing and selling enamel pins last year, my pin collection has exploded! I’ve gone from a few pins on my denim jacket to nearly covering a large pin board. As my collection has grown, I’ve gotten more protective of it. I’m fearful of wearing them out in public and losing or damaging them.



I discovered ita bags through Instagram recently. Ita bags generally refer to bags that are decorated with fan merchandise, but the term seems to frequently be attached to bags that have a clear vinyl layer to protect said merchandise from being lost or damaged. The most popular ones seem l to be girly pastel backpacks, but I wanted something super simple.



The Heart Eyes Ita Tote is nothing if not simple. I knew the pins would add weight to the bag so I didn't want to fuss with any interfacing, hardware, or zippers that would further weigh it down. The unlined 12" x 15" tote has a clear vinyl window and simple "pocket" for you to mount your pins on without risking losing or scratching them. The pocket is made with a layer of thin foam to ensure the bag keeps its shape and doesn't bow out from the weight of the pins, all while being a very lightweight bag.


The pattern includes three window shapes: a heart, cat, and oval. The instructions walk you through the process of preparing your vinyl, but don't worry, there's nothing difficult about sewing with this material. The only things you have to keep in mind with vinyl are that 1) holes are permanent and 2) sometimes the material can "stick" to the bed of your machine due to the texture. I usually use my left hand to hold the excess vinyl that's not under the presser foot to keep things moving along. 


These bags are quick to make. You can go from uncut supplies to finished tote in under 2 hours easily. You can use quilting cotton or lightweight canvas too. 


The pattern is available for $5 on my Craftsy Shop or $5.40 on my Etsy (price difference covers the Etsy fees). Share your projects on Instagram with the hashtags #HeartEyesItaTote and #iAmLunaSolPattern!


Don't forget to check out my enamel pins on Etsy as well as my current Kickstarter for my first collection of fanart pins.

2017 Recap

Thursday, January 4, 2018

I made my fabric design debut in 2016, but 2017 was the year things really started to kick in and feel real. Lots of changes, lots of projects (sewing and non-sewing), and never enough time/energy to do it all!

I keep a running list of all quilts I make (excluding mini quilts). I only count them when they are 100% complete, as in bound, and snuggle ready. Quilt tops don't count. I made 16 quilts during 2014, my first year as a quilter. 2015 saw 19 quilts, and in 2016 I made a crazy 25. In 2017, I only made 18. Just kidding, that's still a lot! 


Here's the list with Instagram, Craftsy, and/or blog links when available:
  1. Caturday Medallion (January) **Pattern Available Here**
  2. Fishbones (Jan/Feb) **Pattern Available Here**
  3. Kira Kira (Jan/Feb) (Love Patchwork & Quilting issue 52)
  4. Pretty Paws (Jan/Feb) **Pattern Available Here**
  5. Caturday Kittens Quilt (go to page 11) (Jan/Feb)
  6. Mandala (Feb)
  7. Modern Triangles Upstart (April)
  8. Luna Nova (June)
  9. Orbital (July) **Pattern Available Here**
  10. Granny Cat (August) (Quilty Box exclusive pattern)
  11. Diamond Back (Coming to Love Patchwork & Quilting in 2018) (August)
  12. Dizzy Dots (August) **Pattern Available Here**
  13. Whitecaps (October) **Pattern Available Here**
  14. Spooky Lanterns (October) **Pattern Available Here**
  15. Basketweaver (November) **Pattern Available Here**
  16. Maelstrom (November) (still need to photograph that one)
  17. Secret Kira Kira for another Windham desinger (November)
  18. Flowerbox (December) (Free pattern coming to Windham in 2018)
All but three quilts (#6, #7, and #8) were my own pattern designs as well. 

I also had a several publications in Love Patchwork & Quilting magazine, including 2 full covers and 1 smaller cover image.


Issue 52 - Kira Kira quilt
Issue 55 - Designer Profile


My second fabric collection, Caturday, showed at spring Quilt Market in St. Louis and hit stores in October.

Non-quilt things: I released a total of 16 enamel pins! Pins have been a big source of joy to me this past year, as I love supporting and collecting the work of other independent artists. They've also proved to be a fruitful part of my business. 


In addition to pins, I also stocked up my reopened Etsy shop with original stickers and art prints.

I did nearly a full year's worth of visual journal entries in an effort to force myself to draw every single day.

And certainly not least, we moved from Houston to Bryan, Tx. in September! After 3 years of living with my parents, Seth and I were deliriously happy to find our own place. 

All in all, wrapping up 2017 was probably the first time I've been able to look back at the year and see that I can do this. I can support myself by doing the things I love. I hope 2018 brings more of the same!

An introduction to designing and producing enamel pins

Monday, December 18, 2017

I regularly get questions about my enamel pins, so it seems a educational post is in order.

Note: This guide only covers hard enamel pins. I don't do soft enamel and have no experience with making them. Every manufacturer is different, so your mileage may vary for info in this post. This is no gospel.



Step 1: Designing your pins

File Type

Different manufacturers (manu for short) have different requirements, but generally speaking, a vector file created in Adobe Illustrator is the way to go. Some manus will accept JPGs or other non-vector artwork, but this means they will have to go through the extra step of converting your artwork to a vector. Not only can this incur additional costs and processing time, you will be at the mercy of their artist who does the conversion. I've known people who were deeply unhappy with how their pins turned out due to the artwork conversion. Creating your artwork as a vector gives you the best chance of getting a final product you will be happy with.

Note, if you have questions about Adobe Illustrator or other software related stuff...please Google it. I get these kinds of inquiries a lot too and I'm usually like, "type that question into Google. It will explain better than I can." Also I don't have time to be tech support for free.

Line Thickness
The line work of your illustration is translated into the metal "walls" of the pin that separate enamel sections, and there are limits to how thin these lines can be. It varies by manu, but I like to keep my lines above 0.2mm thickness (Set your stroke measurement to mm under the "Units" section of the Preferences dialog box by clicking CTRL/CMD + K).

Color Selection
For best results, use Pantone swatches when coloring your artwork. Make sure your fan deck is current and hasn't faded. However, be prepared for the fact that color matching is probably not going to be perfect. Just because your fan deck is in good condition, doesn't mean your manu isn't working from a faded, outdated one. Or that they'll even try terribly hard to match your colors. I think it's best to be flexible. Close enough is good enough in my book. If you insist on being anal about color matching, talk to your manu about getting prototype samples before doing the full production. This will add time and money, but it's up to you. Regardless, include a color key in your file for your manufacturer identifying your swatches. Also, more colors = higher cost.

Size 
To make sure you're happy with the size of your pin, print out the artwork at 100% scale. You might change your mind when you see it in person and not on a screen. Your production artwork should be 100% scale, but to be safe, include some text in your file stating the size of your pin (width x height) in mm.

Metal Finishes
The usual metal options are gold, silver, black nickel, and copper/rose gold, or bronze in either polished or vintage (more matte) finish. Not all manus offer every option so be sure to ask. Include some text specifying your metal choice in your file.

Clutch Options
I like to use rubber clutches because I think they are more reliable than the metal butterfly option. Plus, you can also request them in different colors. Premium locking pin backs are also a thing, but I find them to be a pain in the ass. Plus, they tend to confuse people who aren't used to them.

Fancy Options & Packaging
Additional fun things some manufacturers offer is glitter, dangling elements, backstamping or lasering (if you want your logo or name on the back of your pin), etc. Ask for sample images from your manu if you're considering these things. For packaging, I get my backing cards printed at Vista Print, but some manus can do it for you and mount your pins as well. If you go this route, I'd suggest converting all text to outlines because they might not have your desired font.



Step 2: Finding a Manufacturer 

Middle Man or Factory Direct
If you google "enamel pin manufacturer" or some variation of that, and you find a website based in the US, there's a good chance it's a middle man. That means you give them your artwork, and they farm it out to a third-party factory in China. They may never even lay eyes on your pins, having the factory ship directly to you. I feel that having a middle man doesn't add any value, only additional cost, time, and potential for communication issues. I worked with a middle man at first, so I can speak from experience.

How to Find a Manufacturer
You research. Google is your friend. Search terms like factory, enamel/lapel/cloisonne pin, China, manufacturer, direct, etc. You may feel like the easy answer is to just ask existing pin designer who their manu is, but most are not going to tell you that info. Why? A lot of reasons. We don't want our manu to take on so many orders that they're quality, turnaround time, and customer service declines (something I've seen happen). We networked and researched ourselves to find our manus and we don't owe the fruits of that labor to anyone who sends a DM without even as much as friendly greeting. Or maybe you're straight up competition. Either way, don't be surprised if your request for info goes ignored.

If you do want to go this route, here's my suggestion. Purchase a pin from the artist and evaluate the quality in person first. Then send them a DM or email letting them know you have purchased a pin, liked the quality, and ask if they'd be willing to share their manu source, but state that you understand if they don't want to disclose this. Even better would be to share the names of manus you've researched (just to show you have made an effort on your own), and ask if they have any experience with them. 

Don't Forget About Seconds
If you order 100 pins, it's unlikely you will will receive 100 pins of perfect quality. There will be seconds, or pins that have defects like scratches, dirt in the enamel, missing enamel, chipped enamel, etc. You shouldn't expect 100% perfect pins. Seconds rates can very from manu to manu and even order to order. In my experience it's been at or less than 10% for the most part, but I've heard of people getting bad batches with a much higher percentage. It's up to you when it's a big enough problem that you need to haggle with your manu about refunds, replacements, and that sort of thing. But as a general rule, order more than you need. If you took preorders for 50 pins, don't just order 50 unless you want to send defective merchandise and have unhappy customers.

A Challenger Appears: Wonderfil Invisafil vs Aurifil Monofilament

Friday, June 16, 2017

At this past Quilt Market in St. Louis, my friend Jessee introduced me to a brand I wasn't familiar with: Wonderfil. Not Aurifil. Wonderfil. (My reaction to the name.) Okay.

Jessee convinced me to check out the booth for their 12wt "Spagetti" (she said it makes pretty top stitched details and I'll check this out in a future review), but it was the Invisafil that I ended up talking to Calista, Wonderfil's marketing director, about at length. She had asked me what I like to quilt with. Easy! Aurifil's monofilament is BAE. That's when she pitched me InvisaFil as a superior alternative for quilting, applique, and piecing. (My reaction.) It's going to take a lot to make me abandon my boo! She gave me a pastel mini pack (six 400m spools) of InvisaFil to take home and put to the test, along with a pre-wound InvisaFil bobbin.



I jumped into testing it when I got home, so let's go over how it performed for each test.

Test 1: Will it blend? 



The primary reason I use invisible thread is to do away with the pain (and cost) of color matching thread to fabric. My first indication that InvisaFil might not be an apples-to-apples comparison is the fact that it comes in sixty colors. (MRW when I was told an "invisible" thread comes in sixty colors.)

So if that hasn't tipped you off...I wouldn't call this an invisible thread at all. When I went to stitch an orange applique piece, none of the thread colors in my mini pack blended well. Clearly color matching is still in play, which is something I was hoping to avoid.

To me, a thread that is marketed as "invisible" should adequately (not perfectly) blend with a wide range of fabric hues. Wonderfil has a different take on it. Calista says in her email:
"Monofilament threads in the market today are available only into two shades, clear or smoke, which don’t cover the breadth of all the different fabric colors. And also due to the nature of the material it looks 'plastic-y’ to some people and reflects light, which are characteristics we want to move away from when using InvisaFil. The reason why we sell 60 colors is because people can match the thread to the tone of their fabric and when you do so, the thread blends into background, showing only the texture of the quilting and not seeing a lot of the thread. No thread can be 100% invisible and that is not the concept we are trying to sell to customers, we want to offer a thread that can blend into fabrics with ease."
So rather than trying to be a one-size-fits-all solution, Wonderfil's idea of "invisible" thread is how well it blends into fabric when appropriately color matched. I can buy that point. So if you're looking for that perfect match and have no hang-ups about color matching, I'd say it's worth a shot. If you hate color matching, move on.

Test 2: Can I use it as a bobbin thread with my monofilament?
No. Just...no. It's too fine. The tension does not work. Calista says they do not reccommend using it as a bobbin thread, so turns out I was just being a dummy on this test.

Test 3: Piecing, you say?
By this point, I was feeling pretty smug. No one can dethrone my monofilament baby! Well, what about that claim about being awesome for piecing. I made my first seam with InvisaFil in the top and bottom of my machine and...my reaction.

It's one of those things where you can't un-experience the beauty that you just witnessed. InvisaFil makes some sexy seams. Like you can see there is a seam, but it feels non existent on your block (in a good way) Things feel more accurate, more flat, more right. I actually felt like a disgusting traitor to Aurifil...I really love this for machine piecing. I've already purchased a couple spools for exactly that purpose.

Calista told me that this thread is also popular for English paper piecing, so I gave it a shot when starting out on my Tula Nova. After the first round of pentagons, I ended up switching back to Aurifil 50wt. The Invisafil wasn't a very "obedient" hand piecing thead (see this doodle I did of it in my visual journal). It felt slippery and kept coming unthreaded from my needle. Not fun! The thinness of the thread also means the knots I'd make when starting to sew weren't very large. They'd pass right through my fabric unless I spent time making them super bulky. Finally, I experienced issues with my thread shredding and breaking while sewing. No thanks.


In conclusion
Is Wonderfil a replacement for monofilament thread. No? they're different animals. I will stick with Aurifil monofilament for machine quilting and applique. If you have the budget and patience for color matching, it might be worth your time and money to try it out if you don't like monofilament for some reason. BUT, it is a disgustingly nice machine piecing thread, and I've already purchased more for that purpose alone.
 
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